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| Celebrity
Profile |
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Nayyara
Noor,
Nayyara became a singer by chance.
What happened was that in the early seventies, she was doing a
course with a diploma granted at completion in textile designing
from the national college of arts. At that time colleges and
universities regularly held all Pakistan contests in various
subjects, in which she often participated and won prizes, as well. A
little later, she introduced herself to the relevant people in the
Pakistan television. In those days, Rafiq Waraij had been affiliated
with an entertainment program. He had heard about Nayyara's talents
and decided to give her an opportunity to sing. |
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Besides, in the
mid-seventies, Nayyara had recorded a lot of geeth and ghazals for
Arshad Mehmud for Pakistan television's 'such gup' and 'taal matol'.
Moreover, during
those days, she was fond of listening to Begum Akhtar's (Nayyara is
inspired by Begum Akhtar) ghazals in old fashioned r m p gramophone
record players (audio cassette players were not common then) which
further enhanced her aptitude in music.
Further, in college
days, she was accustomed to singing ghazals, which had been
originally recorded in Begum Akhtar's voice and Nayyara gained a lot
of popularity.
In Nayyara's own
words: 'Ghazal leaves a profound impact on the listener. The effect
is rapid and lasting'. |
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are some ghazals in Nayyara's voice, which were recorded for Pakistan
television and which have virtually immortalized the television's image
to the general public. |
| Aye
jazba-e-dil gar mein chahoon |
Behzad
Lakhnavi |
Sukhanwar |
| Kabhi hum
khoobsoorat thay |
Ahmed
Shamim |
Teesra
kinara |
| Chalo
uskoh |
Zehra
Nigah |
Daur-e-junoon' |
| Ghata
ghanghor, ghor |
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Stage
Show |
| While
sharing her views with the audience, Nayyara had said: 'It is a matter
of tremendous pleasure and honor for a singer to be praised by a
luminary (poet, musician etc.) In her case, she added, Ahmed Nadeem
Qasmi was all praise for the blank verse. |
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us look at some all time great ghazals recorded in her voice: |
| Rang
barsaat nay bharay kuchh tou |
Nasir
Kazmi |
| Phir
sawan ruth ki pawan chali |
Nasir
Kazmi |
| Aye ishq
hamay barbaad na kar |
Akhtar
Shirani |
| Jal tou
jalao gori |
Ibn-e-Insha |
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National
songs in Nayyara's voice: 'Watan ki mitti gawah rehna' is widely
listened from Karachi to Khyber.
During
her long singing career, she has sung ghazals, geeth, nazm and national
songs. Sober and shy, she has always maintained her high singing
standards from the beginning. |
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She has
also recorded hundreds of songs for the Pakistani films. From romantic
scores to tragic numbers like: |
| Tera saya
jahan bhi ho sajna |
Gharana |
| Too he
bata,pagli pawan |
Phool
meray gulshan ka |
| Itna bhi
na chaho mujhay |
Parda
na uthao |
| Roothay
ho tum, tum ko kaisay mana oon piya |
Aa'ena |
| Aaj gham
hai tou kiya |
Mastana |
| Toot gaya
sapna |
Subha
ka tara |
| Boal ri
gurya boal |
Aas |
| Ik ajnabi
chehray |
Baghi
haseena |
| Mera pyar
tumhe ho |
Farz
aur mamta |
|
Mausum tou diwana hai |
Dou
saathi |
| Phool bun
ja-oon gee |
Qismath |
| Kuchh
loag mohabbat ka sila |
Gumrah |
| Tera pyar
bun kay Aaye |
Bhool |
| Zara meri
nabz deikh kar |
Ajnabi |
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Nayyara's
versatile voice touches the hearts of her myriad of fans in Pakistan and
across the borders alike. For her, fame is the word. Nayyara's
innumerable admirers look forward to listening to her mellifluous voice
for many years. Nayyara: Keep on smiling! |
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